The humble, once essential chamber pot has found a new lease of life in modern households as an attractive object in its own right Chatelaine's Antiques Collectibles Appraisals


Click Here

Chatelaine's Antiques and Appraisals Magazine > Decorative Arts > Ceramics > Chamber Pots

Differences Between Chinese and Japanese Porcelain

Chinese Sculpture

Chinese Snuff Bottles

Chinese Dynasty Names

Japanese Pottery

See our selected porcelain items in our shop

1950s Tableware
Art Deco Coffee Sets
Art Deco European Figurines
Art Pottery
Wedgwood Black Basalte or Basalt
Biedermeier porcelain and ceramics
Victorian Breakfast China
Breakfast China
Repairing Broken China
Fixing Broken China
Chamber Pots
Character Jugs
Cheese Dishes
Identifying China
Chinese Porcelain
Cow Creamers
Cream Jugs
Wedgewood Cream Ware (creamware)
Danish China - Royal Copenhagen Factory
Danish Table China - Royal Copenhagen Factory
Derby Figures
Dinner Service
Doulton Figures
English Majolica ceramics
English porcelain and ceramics
Conta and Boehme Fairings
French Sevres Porcelain
French Porcelain
Goss Ware ceramics
Jugendstil Pottery
Mantelpiece Garnitures
Martin Brothers Pottery
Mason's Ironstone
Victorian Meat Plates
Mending Broken China
Noritake China
Oriental Porcelain
Wedgwood Pearlware
Pot Pourri vases and jars
Identifying Pottery
Pottery Marks
Collecting Salt and Pepper Shakers
Satsuma Pottery
Sevres Porcelain
Staffordshire Figures
Wade Whimsies
Collecting Wall Plates
Wedgewood Jasper Ware
West Country Art Pottery
Willow Pattern China
Worchester Porcelain

Chamber pots
 The humble, once essential chamber pot has found a new lease of life in modern households as an attractive object in its own right.

 In Queen Victoria's day, only the wealthy could afford the new-fangled water closet (Prince Albert had a portable one installed in his bedroom) - the average citizen had to be content with a 'guzunder'.

 This nickname for the chamber pot referred to the habit of sliding it under the bed at night (guzunder 'goes under the bed'), but in fact chamber pots were used in other parts of the house too.

 They were sometimes hidden behind the panelling in the dining room or smoking room, or were contained in a pot cupboard or purpose-built commode designed to look like an elegant piece of furniture.


 The history of chamber pots can be traced back to pre-Christian times. The shape seems to have changed very little over all these centuries, but the decoration has varied greatly, reaching its height of inventiveness in the Victorian period.

Victorian Black Transfer Chamber Pot 1868 Sometimes the decoration was moulded (in the form of shell patterns or ribbons and bow motifs, for example), but painted or transfer-printed ornamentation was more common.

 Scenic designs were the most popular - you can find Italian ruins, panoramic views and even Indian hunting scenes.

 The 'Abbey' pattern - a ruin surrounded by trees with a lake in the foreground was particularly popular and was used by several British and foreign manufacturers.


 Inevitably, the chamber pot attracted many humorous designs. A staring eye on the interior base was an enduringly popular motif, frogs were realistically portrayed climbing up inside the pot, and mottoes abounded. "Pass it this way my dear" was a favourite, often printed on two-handed pots made for married couples.

 Victorian politicians were lampooned on chamber pots and, in the 1940s, Adolf Hitler was pictured inside and users were exhorted to "Have this one on old nasty".


 It is ironic that an object with such an 'unmentionable' function should now he so proudly displayed as an ornamental piece in so many homes.

 Yet there is no doubt that the comfortable roundness of shape and the diversity of pattern make chamber pots highly attractive to look at.

 They make marvellous plant pot holders either floor-standing or arranged up a flight of stairs, adding a touch of greenery to the decor.

 Most potteries manufactured chamber pots, and you can find examples by many notable factories, among them Ashworth's (manufacturers of Mason's Patent Ironstone), Minton, Royal Doulton, Spode and Wedgewood.

 In the 1930s Clarice Cliff, one of the most illustrious of designers of the time, produced an art deco chamber pot of conventional shape but with a geometric pattern.

 Chamber pots bearing a manufacturer's name will cost more than unmarked pots of comparable quality.


 Anything that lifts a pot out of the ordinary will also tend to increase its value.

 Lidded pots are not unusual, for example, but it is a bonus to find then as part of a complete matching toilet set. These sets typically comprised a pair of pots, a wash bowl, ewer, slop pail, toothbrush holder, soap and sponge dish.

 Many such sets were made, but often one item has been lost or damaged over the years, reducing the value of he whole.

 Large pots are rare, but miniature chamber pots were frequently issued as novelties, and small pots were made for the use of children.

 These were sometimes decorated with suitable nursery scenes, and there is one at the Anglesey Toy Museum showing a design based on an illustration by Kate Greenaway, an artist famous for her children's books.

 Among the other types of personalized chamber pots are those made for barge owners.  These earthenware pots were made in Derbyshire, but they are named after Measham in Leicestershire, their place of sale.

 They are glazed a heavy brown and, like the barges, painted with bright flowers.

 Not all chamber pots were made of pottery, of course.  Pewter was once a common material for pots, but its use for this purpose had died out by the 19th century, so pewter examples are usually fairly early in date.

 Silver chamber pots can be found, but they are very expensive, and the super-rich sometimes had pots enamelled and encrusted with precious stones. However, you are unlikely to see an example outside a major museum.

 On the whole, the collector of chamber pots is not likely to have to worry about forgeries or doctored pieces.  However, blue and white ware has been much reproduced, so you need to be careful when buying it.



Chinese Export Porcelain, Standard Patterns and Forms, 1780-1880: Standard Patterns and Forms
by Herbert

Chinese Export Porcelain in the 19th Century: The Canton Famille Rose Porcelains by John Quentin Feller

Chinese Potter: A Practical History of Chinese Ceramics
by Margaret Medley

Mounted Oriental Porcelain in the J. Paul Getty Museum
by Gillian Wilson

For the Imperial Court: Qing Porcelain from the Percival David Foundation of Chinese Art
by Rosemary Scott

Spode's Willow Pattern
by Robert Copeland

Special Exhibition of Ch'Ing Dynasty Enameled Porcelain of Imperial Ateliers / Written in English & Chinese

The Copeland Collection : Chinese and Japanese Ceramic Figures
by William Sargent

The Helen D. Ling Collection of Chinese Ceramics
by Jason Kuo

Chinese Ceramics: Porcelain of the Qing Dynasty 1644-1911
by Rose Kerr

Blue and White: Chinese Porcelain Around the World
by John Carswell

Antique Trader's Pottery & Porcelain Ceramics Price Guide
by Kyle Husfloen

Collectors Encyclopedia of Nippon Poreclain: Identification & Values
by Joan Van Patten

Collector's Encyclopedia of Flow Blue China: Values Updated 2000 (Second Series)
by Mary Frank Gaston

Restaurant China: Identification & Value Guide for Restaurant, Airline, Ship & Railroad Dinnerware
by Barbara Conroy

Warman's American Pottery & Porcelain
by Al Bagdade

Royal Doulton
by Julie McKewon