Baltimore Museum of Art

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The Yale Dictionary of Art and Artists by Erika Langmuir, Norbert Lynton

Davenport's Art Reference and Price Guide 2001-2002 by Raymond Davenport, Lisa Reinhardt

Currier's Price Guide to American Artists at Auction

 
Artwork available from the Baltimore Museum of Art

 Matisse's Dancers
November 14, 2012 - February 24, 2013
The BMA presents an intimate exhibition of more than 30 dance-themed prints, drawings, and sculptures by the great French artist Henri Matisse. The centerpiece of the exhibition is a rarely shown series of 11 transfer lithographs of a dancer/acrobat moving through various positions that evolve into an abstraction of reality, movement, and shape. These prints, drawn as lithographs in 1931-32, but published after Matisse’s death, are among the most eloquent examples of the artist’s way of seeing. The BMA has the largest and most significant collection of works by Matisse in the world.

10 Art Museum Drive, Baltimore, MD 21218-3898
The BMA is located on Art Museum Drive at North Charles and 31st Streets (Wyman Park), and is three miles north of Baltimore's Inner Harbor.

Organized by The Baltimore Museum of Art, this exhibition travelled to The Museum of Fine Arts, Houston, and The Cleveland Museum of Art. 

Faces of ImpressionismFaces of Impressionism:
Portraits from American Collections

by Sona Johnston, Susan Bollendorf, John House, Baltimore Museum of Art

The Impressionists redefined the concept of Western portraiture with their iconoclastic approach to art.

By focusing on ephemera, and including the sitter in a larger environment, the Impressionists removed portraiture's previous purpose of formally documenting the subjects' status for the historical record.

With this informal approach to articulating individual identities, the Impressionists captured an intimate side of their sitters, as well as their era.

"Faces of Impressionism" the first show to focus on exclusively on the portraits made by the Impressionists, as well as their immediate predecessors and successors.

Presented chronologically, this survey begins in the mid-nineteenth century with Realist artists, including Courbet and Manet, whose methods and subjects sparked the Impressionists to revolutionize painting.

This volume features the best examples from the artists who came to define the Impressionist movement, including Monet, Renoir, Cassatt, Degas, Morisot, and Pissaro, as well as later work by Cezanne and Gauguin, whose artistic advancements prefigure the course of twentieth-century painting.

"Faces of Impressionism" describes the artist's relationship with the sitter, as well as other images (paintings and/or photographs) which situate the work in the history of art. The Impressionistic developments in style and subject reflect the advancements of their society; their art reflects the bourgeois rise to power.

From Mary Cassatt's modernized Madonna and Child to Degas' Manet's, and Gauguin's images of entertainers, once can feel the creeping current of contemporary culture which parallels their more apparent, distinctive approach to painting.

As so many people who were not aristocracy or clergy could commission portraits, slowly but surely, consumerism, as dictated by the middle class, emerged.  (Not ironically, the paintings for "Faces of Impressionism" have been garnered from American collections, as, at that time, those on this side of the Atlantic purchased that which was popular in Europe.)

This volume, revealing an intimate picture of the Impressionist world, provides valuable insight into a movement that changed the course of painting forever. 

Card catalog description
"This book accompanies the first major exhibition to focus exclusively on the portraits made by the Impressionist masters and their immediate predecessors.
Breaking free from portraiture's conventions, the Impressionists expanded the notion of a portrait to reflect not only an individual's appearance but also his or her everyday surroundings.
From traditional, tightly rendered likenesses to light-filled, loosely brushed paintings, the works in this volume depict a variety of subjects: friends, family members, patrons, public figures, and the artists themselves.
Reproduced are key works by fourteen pivotal figures including Gustave Caillebotte, Mary Cassatt, Paul Cezanne, Edgar Degas, Paul Gauguin, Edouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, which reveal the astonishing originality and beauty of the Impressionists' portraits." -- BOOK JACKET. 

Baltimore Museum of Art Website

From a single object in 1914, The Baltimore Museum of Art’s outstanding collection today encompasses 90,000 works of art, including the largest holding of works by Henri Matisse in the world. The astonishing quality and diversity of this collection inspires many of the major traveling exhibitions organized and presented by the BMA, as well as smaller thematic exhibitions located in galleries throughout the Museum. Admission to the collection is free to everyone, every day.
African Art - One of the earliest and most important collections of African art in the United States now includes more than 2,000 objects that span from ancient Egypt to contemporary Zimbabwe with works from Bamana, Kuba, Ndebele, Yoruba, and many other cultures. Many pieces are distinguished by their use in royal courts, performances, and religious contexts, and several are internationally known as the best of their type, such as D’mba, an unparalleled Baga female dance headdress from Guinea.
American Art - An outstanding collection of American painting, sculpture, and decorative arts dating from the colonial era to the late 20th century includes important regional holdings such as Maryland-related portraiture by Charles Willson Peale, Rembrandt Peale, and other members of the renowned Peale family; silver from Baltimore's prominent silver manufacturing company Samuel Kirk & Son; and painted furniture by John and Hugh Finlay of Baltimore.
Antioch Mosaics – Thanks to the support of BMA Trustee Robert Garrett, the BMA joined the Musées Nationaux de France, Worcester Art Museum, and Princeton University in the 1932–1939 excavations of this ancient city, known today as Antakya in southeastern Turkey, near the border of Syria. The BMA received some of the finest mosaics from the excavation, totaling 34 pavements, 28 of which are on display in the Museum’s sunlit atrium court.
Art of the Ancient Americas – This collection includes 59 artistic traditions ranging in time from 2500 B.C.–A.D. 1521, and features works from the widely recognized Aztec and Maya of Mesoamerica, Chimú and Muisca of Andean South America, and Nicoya and Atlantic Watershed of Costa Rica. Notable objects include a finely worked serpentine figure of Olmec mastery, elegant portrayals of Maya and Aztec noblewomen, and miniature gold votives in the Muisca tradition.
Asian Art – More than 1,000 objects from China, Japan, India, Tibet, Southeast Asia, and the Near East are found in this collection, but its strength is Chinese ceramics, with a particular depth in mortuary wares from the Tang Dynasty (618–907) and utilitarian stonewares from the 11th through the 13th centuries. Notable works include the life-sized early 15th century bronze Guanyin, known widely as “Goddess of Mercy.” The BMA’s collection also includes 475 Japanese prints and 1,000 textiles from across Asia.
The Cone Collection - The internationally renowned Cone Collection is the crown jewel of the BMA. In the early 20th century, Baltimore sisters Claribel and Etta Cone visited the Paris studios of Henri Matisse and Pablo Picasso and began amassing an exceptional collection of approximately 3,000 objects, which were displayed in their Baltimore apartments prior to coming to the Museum. The highlight is a group of 500 works by Matisse, considered the largest in the world, as well as masterpieces by Paul Cézanne, Paul Gauguin, and Vincent van Gogh. The Cone Sisters also collected a variety of textiles, jewelry, furniture, and African, Asian, and Near Eastern art.
Contemporary Art - Since its founding, the BMA has been exhibiting and collecting works by contemporary artists, resulting in major examples of Abstract Expressionism, Minimalism, Conceptual Art, and Pop Art alongside that of emerging talent. This rapidly growing collection is housed in the 36,000 square-foot West Wing for Contemporary Art, which also serves as an exhibition space and working environment for new projects.
European Art - Among the many treasures in the BMA’s magnificent collection of 15th- through 19th-century European art is the unparalleled masterpiece Rinaldo and Armida (1629) by Sir Anthony van Dyck. Other masterworks include northern European and French paintings by Frans Hals and Jean Baptiste Siméon Chardin, a 14th-century Burgundian limestone sculpture, and an exquisite Renaissance painting by Sandro Botticelli. The BMA also has an enormous cast of Auguste Rodin’s The Thinker (1904–17 cast, after 1880 original) and a fine selection of decorative arts and works on paper from this period.
Modern Art – In addition to the Cone Collection, the BMA has outstanding examples by European masters of modern art such as Juan Gris, Joan Miró, and Piet Mondrian, as well as a strong group of paintings by Surrealists André Masson, Matta, and Yves Tanguy. Russian artists Marc Chagall and Wassily Kandinsky, Italian artist Alberto Giacometti, and German Expressionists Ernst Ludwig Kirchner and Max Pechstein are also represented in the collection.
Native American Art – This diverse collection showcases Plains beadwork, Arctic ivories, Navajo textiles, Tlingit woodcarvings, and the world-renowned fiber arts of Washoe and Akimel O’odam (Pima). Notable among the collection is an exquisite Old Bering Sea carving in petrified ivory, the remarkable polished blackware of San Ildefonso master ceramicists María Martínez and Blue Corn, Acoma pottery, and Hopi Kachina carvings from the Southwest.
Pacific Islands – This small but compelling collection is considered among the best in the U.S. with a rich cross section of fine objects such as jewelry, ornaments, and tapa cloths from the vibrant cultural traditions of Melanesia and Polynesia. Of particular interest are a finely carved lizard of dark wood and shell from Easter Island, a stunning battle pectoral created from hundreds of Nassa shells, which highlights Middi art of New Britain, and an 18th century royal Hawaiian necklace—one of the best of its type worldwide.
Prints, Drawings & Photographs - Considered one of the most significant holdings of works on paper in the country, the BMA’s renowned collection of 65,000 works on paper includes 4,000 drawings and 3,000 photographs from the 15th century to the present, making it a comprehensive resource for the study of European and American printmaking. Major strengths are 16th- and 17th-century prints and woodcuts by Albrecth Dürer and Rembrandt van Rijn, 19th-century French drawings by Honoré Daumier and Édouard Manet, and 20th-century street photography.
Sculpture Gardens - Nestled on nearly three acres, two terraced gardens are home to 34 masterworks of modern and contemporary sculpture ranging from Auguste Rodin’s striding Balzac (1892) to Alexander Calder’s soaring red 100 Yard Dash (1969), providing a 100-year survey of sculpture from the figural to the abstract. Each summer the BMA presents the popular Jazz in the Sculpture Garden concerts, featuring critically acclaimed national and regional jazz musicians.
Textiles - The BMA's fine collection of more than 5,000 textiles spans nearly 2,000 years and features examples of needlework, quilts, laces, furnishings, tapestries, costumes, accessories, wallpaper, and needlework tools from America, Europe, India, Japan, China, the Middle East, Northern Africa, and Central Asia. Highlights include printed and woven textiles by William Morris; early 20th-century fabrics by Alphonse Mucha and Raoul Dufy; Japanese Buddhist priest robes; Toiles de Jouy by Christophe-Philippe Oberkampf; and superb examples of the world-renowned Baltimore Album Quilts.


1914
The BMA is formally incorporated by eight civic-minded Balitimoreans.
1923
The Museum’s inaugural exhibition opens at its temporary home in the Garrett mansion at 101 West Monument Street. Attendance tops 6,775 during its first week.
1924
Baltimore’s citizens approve a $1million dollar loan to construct a municipal museum. Prominent neoclassical architect John Russell Pope is commissioned to design the new building, which opens on
April 18, 1929.
1925
One of the finest decorative arts collections in the region begins with the gift of the BMA’s first period room (c. 1700). American decorative arts, especially from Maryland, become a great strength in subsequent years.
1927
Anthony van Dyck's masterpiece Rinaldo and Armida (1629), commissioned for King Charles I of England, becomes the centerpiece of the BMA’s distinguished collection of European art.
1929
The BMA is one of the first art museums in the country to create an Education Department to present tours, lectures, and classes. Today, innovative programming reaches visitors of all ages, including 25,000 schoolchildren annually.
1930
An internationally renowned collection of master prints becomes the foundation for the BMA’s outstanding holdings of prints, drawings, and photographs, which is particularly strong in 19th-century French art.
1936
The BMA presents one of the nation’s earliest exhibitions of African art and goes on to form one of the most important collections on the East Coast. Several items are internationally known as the best of their type.
1936–1937
The BMA brings ancient mosaics from Antioch to Baltimore after participating in archaeological excavations.
1939
One of the earliest exhibitions of the work of contemporary African-American artists in the country opens, marking the beginning of a distinguished record of collecting and exhibiting both historical and contemporary works by African-American artists.
1950
Committed to "improving the spirit of appreciation for modern art in Baltimore," Cone sisters Etta and Claribel secure the BMA’s international reputation through their gift of works by Matisse, Picasso, Cézanne, and Gauguin―one of the most outstanding collections of modern art in the world.
1960
The Museum's commitment to modernism is cemented when its leaders are invited to curate the Venice Biennale, the most prestigious international exhibition of contemporary art.
1970
"Vincent van Gogh: Paintings & Drawings" draws record crowds and establishes a new demand among the regional public for major art attractions. The 1991 Monet exhibition breaks all previous attendance records.
1980–1988
With the opening of the Wurtzburger Sculpture Garden—and in 1988 the adjoining Levi Sculpture Garden—the BMA creates an "art park" in the heart of the city that features a 100-year survey of modern sculpture.
1982
The BMA inaugurates its new east wing featuring an auditorium, a restaurant, The BMA Shop, and galleries for changing exhibitions. The new facility permits the BMA to expand its exhibition programming and to performing arts and film, attracting a wider and more diverse audience.
1994
The West Wing for Contemporary Art opens with 16 galleries for the display of a diverse and growing collection of post-1960 art.
2001
The BMA unveils completely redesigned galleries for the famed Cone Collection. The new installation showcases the world’s most comprehensive holding of works by Henri Matisse.
2006
The BMA offers year-round free general admission for the first time in nearly two decades.

The Baltimore Museum of Art is home to an internationally renowned collection of 19th-century, modern, and contemporary art. Founded in 1914 with a single painting, the BMA today has 90,000 works of art—including the largest holding of works by Henri Matisse in the world. Throughout the Museum, visitors will find an outstanding selection of European and American fine and decorative arts, 15th- through 19th-century prints and drawings, contemporary art by established and emerging contemporary artists, and objects from Africa, Asia, the Ancient Americas, and Pacific Islands. Two beautifully landscaped gardens display an array of 20th-century sculpture that is an oasis in the city.
As a major cultural destination for the greater Baltimore region, the BMA organizes and presents a variety of dynamic exhibitions and innovative programs throughout the year, and frequently hosts special events with cultural and educational partners. The Museum is located three miles north of Baltimore’s Inner Harbor in a park-like setting in the heart of Charles Village, adjacent to the main campus of The Johns Hopkins University. It is distinguished by a grand historic building designed in the 1920s by renowned American architect John Russell Pope and an impressive wing for contemporary art added in 1994.
Gertrude’s restaurant and The BMA Shop are destinations unto themselves. Visitors enjoy superb regional cuisine from celebrity chef John Shields while overlooking the scenic sculpture gardens or listening to the popular summer jazz concerts. The BMA Shop offers a variety of unique art-inspired gifts, including items from local artists and craftsmen.

 

 

 

 




Henri Matisse - Purple Robe

Purple Robe
Henri Matisse

Buy This Art Print At AllPosters.com

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Henri Matisse - Purple Robe
Purple Robe
Henri Matisse

Buy This Art Print At AllPosters.com